Woodcut prints were an important means of public opinion mobilization by the Communist Party of China(CPC) during the War of Resistance Against Japanese Aggression. Xinhua Daily(North China Edition)was a model for using woodcut prints to carry out public opinion mobilization work in the enemy-occupied areas behind the frontlines in North China. From 1939 to 1943, the newspaper published a total of 666 woodcut prints. The public opinion mobilization work with woodcut prints in Xinhua Daily(North China Edition) went through three historical stages: vigorous development, stable deepening, and strategic adjustment. Its creation team was mainly composed of members of the Woodcut Work Group of the Lu Xun Academy of Arts in Yan’an, and continuously absorbed and trained local talents in the practice of the enemy-occupied areas behind the frontlines. The members had both high political qualities and excellent artistic skills. Its works focused on four major themes of public opinion mobilization in politics, military, portraits, and cultural education.They adopted three strategies: the popular translation of anti-Japanese discourses, the visual reproduction of news events, and the narrative presentation of political propositions, and followed the publicity principles of being popular, national, and in line with the times. In this way, the Party’s propositions were naturally integrated into the daily lives of the masses, making them popular and easily acceptable to the people. The publicity method of using woodcut prints to carry out public opinion mobilization work in Xinhua Daily(North China Edition) became a prominent feature of the CPC’s public opinion publicity work in North China during the War of Resistance Against Japanese Aggression, and also provided an important reference for the innovative development of the Party’s news and public opinion work in the new era.