From the perspective of the Artistic Conception Theory in the realm of Chinese classical aesthetics, when exploring the application of empty shots in Chinese film production, the presentation of its imagery adopts a constitutive approach of mutual generation between the real and the virtual, expressing emotions and intentions through images to reveal the beauty of ethereality. The presentation of its scenes uses the poetic expression of the integration of scene and sentiment to showcase the beauty of desolation and coldness. The way of viewing it, through the lens language of roaming the eyes and indulging the mind, contemplates the imagery and scenes, and savors the beauty of moderation.