From the perspective of Film Screenplay, the extensive use of interludes and supplementary narrations in Strange Tales of a Lonely Studio may easily weaken the suspense and attraction of the novel. When multiple plot clues appear in a narrative text, the author may ignore the intertextuality or dialogue relationship among these clues, which leads to a lack of rigor in plot setting and strength in theme expression; Lack of structural awareness or unsatisfactory grasp of narrative rhythm leads to either a lengthy foreshadowing stage in the narrative of Strange Tales of a Lonely Studio, or the obstacles encountered by the characters in the “confrontation” stage are not strong and challenging, and the solution to the obstacles relies excessively on “miracles”. In addition, the narrative focus of Strange Tales of a Lonely Studio is on “plot”, especially the “strangeness” of “plot”, while it doesn’t seem to care about the characterization, and its characterization method is single. The narrative techniques of Strange Tales of a Lonely Studio seems reasonable and even advanced at that time, but when adapting films, creative transformations is needed to meet the requirements of film screenplay.