从“新国民”到“美术人” ——梁启超典型思想探赜
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国家社科基金重大项目 “中国特色文学理论建构的历史经验研究”(18ZDA278);湖南省研究生科研创新项 目“二十世纪上半叶中国典型理论研究”(CX20210445)


From “New Citizen” to “Aesthetic Person”:An Exploration of Liang Qichao’s Typical Thoughts
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    摘要:

    梁启超的典型思想主要包括文学与生活的关系、文学形象、个别与一般的关系、典型化手法等四方面的内容,其发展以1917年的欧洲游历为界分前后两个阶段。前期阶段(1896—1917),其立足于救亡图存的民族视野,注重向西方学习,以培养新国民为宗旨;后期阶段(1918—1928),其立足于文明比较的世界视野,重评中国文化传统的价值与意义,以培育美术人为目标。梁启超前后两个阶段的典型思想虽具体内容与侧重点有所不同,但启蒙理想、人格培养始终是其核心要素,发展脉络具有内在连续性,呈现出“变而非变”的演进特征。其典型思想奠定了20世纪中国现代典型理论的思想基础。

    Abstract:

    Liang Qichao’s typical thought mainly include four aspects: the relationship between literature and life, literary image, the relationship between individual and groups and typification techniques. It developement is divided into two stages with his European travel in 1917 as the boundary. In the early stage (1896-1917), it was based on the national vision of saving the nation from extinction and striving for survival, paying attention to learning from the West and aiming at cultivating new citizens. In the later stage (1918-1928), it reevaluated the value and significance of Chinese cultural tradition and aimed at cultivating artists based on the world vision of civilization comparison. Although the typical thoughts of the two stages have their own different characteristics, contents and emphases, the enlightenment ideal and personality cultivation are always the core elements, and the development context has internal continuity, showing the evolution characteristics of “change rather than change”, which jointly laid the ideological basis of Chinese typical theory in the 20th century.

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杨 旭.从“新国民”到“美术人” ——梁启超典型思想探赜[J].《湖南工业大学学报(社会科学版)》,2023,28(2):106-113.

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  • 收稿日期:2022-10-26
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  • 在线发布日期: 2023-05-17
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