政治抒情诗:审美意识形态的艺术实践方式
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Political Lyric Poetry: The Artistic Practice of Aesthetic Ideology
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    摘要:

    政治抒情诗不仅是贯通中国新诗史,也是贯穿中国新文学史的现象级存在,作为中国新诗中最为成熟的诗歌形态,按历史时段可以简略将其归纳为:一本诗集、两个诗人、三个流派或群体,另加一个具有诗史级意义的诗人艾青。虽然对“文学是审美意识形态”的说法见仁见智,但在审美意识形态语境中对政治抒情诗进行针对性的话语评释,以审美意识形态来特指、诠释政治抒情诗,既是合理的,也是可行的。关于这点,既可以通过对政治抒情诗文学史层面的宏观考析来印证,更可以从对艾青的个案解析中获知。

    Abstract:

    Political lyric poetry is not only a phenomenal existence through the history of Chinese new poetry, but also through the history of Chinese new literature. As the most mature form of poetry in Chinese new poetry, it can be briefly summarized into: a poetry collection, two poets, three schools or groups, and a poet Ai Qing with poetic history significance. Although there are different opinions on “literature is aesthetic ideology”, it is both reasonable and feasible to make targeted discourse comments on political lyrics in the context of aesthetic ideology, and to use aesthetic ideology to interpret political lyrics. This can be confirmed not only through the macro examination and analysis of the history of political lyric poetry, but also from the case analysis of Ai Qing.

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杨经建,辛捷璐.政治抒情诗:审美意识形态的艺术实践方式[J].《湖南工业大学学报(社会科学版)》,2023,28(1):25-34.

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  • 收稿日期:2022-09-19
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  • 在线发布日期: 2023-03-30
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