董永传说的民族重构与叙事增值 ——以壮族《董永和仙女歌》为例
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National Reconstruction and Narrative Appreciation of the Legend of Dong Yong: A Case Study of the Zhuang’s Song of Dong Yong and the Fairy
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    摘要:

    入选国家“非遗”名录的董永传说深受壮族民众喜爱,其中广西忻城县的古壮字歌本《董永和仙女歌》在诸多壮族民间重构董永传说中较有代表性。通过壮、汉版本的比较分析可以发现,该古壮字歌本主要借源于明朝话本《董永遇仙传》和黄梅戏电影《天仙配》。通过置换式重构,《董永和仙女歌》强化“孝”叙事与神话原型,暗示姑舅表婚叙事的失败,融合婚姻与家庭伦理叙事,彰显叙事的张力。通过增添式重构,《董永和仙女歌》阐释行孝叙事因果,展现“女强男弱”的重复律叙事,使得叙事节奏张弛有度,优化了叙事手法。董永传说的跨族重构,使得中华民族共有的董永传说获得了一定程度上的叙事增值,表现了各族人民建构中华民族共有精神家园的文化自觉。

    Abstract:

    The Legend of Dong Yong, selected into the national intangible cultural heritage list, is deeply loved by the Zhuang people. Song of Dong Yong and the Fairy, a song book written in old Zhuang characters in Xincheng County, Guangxi, is a representative in many Zhuang folk reconstruction of The Legend of Dong Yong. Through the comparative analysis of Zhuang and Han versions, it is found that the song book is mainly borrowed from the Ming Dynasty Vernacular book Dong Yong Meets the Fairy and Huangmei Opera film Tian Xian Pei. Through the relevant replacement reconstruction, Song of Dong Yong and the Fairy strengthens the “filial piety” narrative and myth prototype, implies the failure of uncle’s marriage narrative, and integrates the marriage and family ethics narrative to highlight the narrative tension. Through the incremental reconstruction, it explains the narrative cause and effect of filial piety, shows the repetitive narrative of “women are stronger than men”, and makes the narrative rhythm relaxed, so as to optimize the narrative technique. The cross ethnic reconstruction of the Legend of Dong Yong makes the legend shared by the Chinese nation gain a certain degree of narrative appreciation, and shows the cultural consciousness of the people of all ethnic groups to build the common spiritual home of the Chinese nation.

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韦亮节.董永传说的民族重构与叙事增值 ——以壮族《董永和仙女歌》为例[J].《湖南工业大学学报(社会科学版)》,2022,27(6):63-70.

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  • 收稿日期:2022-06-12
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  • 在线发布日期: 2023-02-07
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