“灵魂本身的图像”: 论博尔赫斯对残雪文学观的影响
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“The Image of the Soul Itself”: On the Influence of Borges on Canxue’s Literary View
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    摘要:

    残雪在创作中广泛借鉴了西方现代主义的小说观念和艺术技法,其中阿根廷作家豪尔赫 路易斯 博尔赫斯的小说创作对残雪文学观的影响尤为深刻。残雪对博尔赫斯的接受,明显区别于其他先锋派小说家拘囿于现代叙事技巧的学习与借鉴。首先,她对博尔赫斯的接受更多的是来源于对个人潜在记忆的注视和灵魂深处的审判,并强调作家是“灵魂的写作者”;其次,她着力阐明无意识世界的复杂性,主张创作理性与幻想并存的“纯文学”;最后,博尔赫斯小说中有一个核心的意旨,即其创作总体指向精神的无限性或时间的永恒性等命题,这对于残雪竭力构建“现代个人寓言”具有重要的启发意义。

    Abstract:

    Canxue’s has widely used the novel concepts and artistic techniques of Western modernism for reference in her creation. Among them, the novel creation of Argentine writer Jorge Luis Borges has a particularly profound influence on Canxue’s literary view. Canxue’s acceptance of Borges is obviously different from that of other avant-garde novelists who are confined to the study and reference of modern narrative techniques. First, her acceptance of Borges is more derived from the gaze of the individual’s latent memory and the judgment of the soul, and emphasizes that the writer is the “writer of the soul”; secondly, she strives to clarify the complexity of the unconscious world , advocates the creation of “pure literature” in which reason and fantasy coexist; finally, there is a core intention in Borges’ novels, that is, the overall creation of Borges points to propositions such as the infinity of spirit or the eternity of time. “The modern personal fable” has important enlightening significance.

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关琳琳.“灵魂本身的图像”: 论博尔赫斯对残雪文学观的影响[J].《湖南工业大学学报(社会科学版)》,2022,27(4):108-114.

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  • 收稿日期:2022-03-07
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  • 在线发布日期: 2022-08-24
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