The natural image in Qu Yuan’s Fu is the artistic embodiment of the ancient ecological wisdom of “the harmony between man and nature”. The essence of Qu Yuan’s expression of nature is to couple natural beauty with the beauty of personality and the beauty of human feelings to create an aesthetic ideal state of “co-existence of different beauties”, and to pursue harmonious symbiosis between man and nature. This is exactly where the ecological beauty of Qu Yuan’s Fu lies. The ecological beauty in Qu Yuan’s Fu includes not only the natural image and artistic conception of the unity of the object and the self, and the blending of the scene, but also the image of the natural god which is the combination of the virtual and the reality, and the human and god. The former embodies the symbiotic relationship between man and nature, while the latter embodies the overall relationship between man and nature. The aesthetic ideal state of “co-existence of different beauties” displayed in Qu Yuan’s Fu provides ancient wisdom for building a life community of human and nature at present.