主体意识的凸显:互动剧的认知传播机制研究 ——以《最后的搬山道人》为例
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教育部省级一流专业“贵州师范学院广播电视学” (教高厅函[2019]46号)


Highlights of Subject Consciousness: Research on Cognitive Communication Mechanism of Interactive Drama:Take The Last King of Banshan Taoist as an Example
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    摘要:

    互动剧是在互动技术发展基础之上形成的介于游戏和视频之间的新型影视剧类型,传受主体在互动剧的传播过程中,呈现出与传统影视剧不同的认知传播特点,其主要包括:传播主体主导传播策略,传播主体保留全知者身份;接受主体解码意识即时呈现,接受主体对完型的期待;传受主体在认知基模的影响下互动,用户在不同的媒介情境中跨越。未来互动剧将在技术发展的基础上,进一步淡化拟像环境与真实环境的边界,以迎合受众认知需求,开辟新的市场领域。

    Abstract:

    Interactive drama is a new type of film and television drama formed between games and videos on the basis of the development of interactive technology. During the communication process of interactive drama, the recipients show different cognitive communication characteristics from traditional film and television dramas, which mainly include: the communication subject dominates the communication strategy, and the communication subject retains the omniscient identity; The receiving subject’s decoding consciousness is presented immediately, and under the influence of cognitive paradigm, recipients interact and users span in different media situations. On the basis of technological development, the future interactive drama will further dilute the boundary between the simulated environment and the real environment, so as to meet the cognitive needs of the audience and open up new market areas.

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吕 菁.主体意识的凸显:互动剧的认知传播机制研究 ——以《最后的搬山道人》为例[J].《湖南工业大学学报(社会科学版)》,2020,25(6):32-38.

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  • 收稿日期:2020-10-20
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  • 在线发布日期: 2021-01-15
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