论当代电影“文学性”之必要 ——以周星驰“西游”电影为例
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湖南省社科基金项目“ 以湖南广电为依托的马栏山文化创意产业集聚区构建研究”(17JD26)


On the Necessity of “Literariness” of Contemporary Films: Taking Zhou Xingchi’s“A Chinese Odyssey”Series as an Example
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    摘要:

    随着3D等电影科技的普及,当代电影愈加重视特技和视觉特效,而对“文学性”的观照越来越少。以周星驰“西游”电影对比其他“西游”题材作品,可以发现,周星驰“西游”电影的成功离不开其对“文学性”的追求,“文学性”在当代电影中,仍然具有不容忽视的意义。周星驰“西游”电影的“文学性”,主要体现在高超的语言艺术与精巧的情节构建上,这两个因素使得周星驰 “西游”电影在故事性、喜剧性上达到了同类题材电影难以企及的高度,这也是其票房成功的基础所在。

    Abstract:

    With the popularization of 3D and other film technologies, contemporary films pay more and more their attention on special and visual effects, but less on the “literariness” of films. However, comparing A Chinese Odyssey series produced by Director Zhou Xingchi with other works of the same theme, it is obvious that the success of“A Chinese Odyssey”series cannot stand alone without its pursuit of “literariness”. “Literariness” of a film definitely continues to enjoy its indispensability in contemporary film environment. The “literariness” of A Chinese Odyssey series is mainly reflected in the excellent language art and elaborate plot construction. It is these two factors that make“A Chinese Odyssey”series a high-quality story and comedy, which is the foundation of its box office myth.

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王柯入,韦 强.论当代电影“文学性”之必要 ——以周星驰“西游”电影为例[J].《湖南工业大学学报(社会科学版)》,2020,25(3):96-102.

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  • 收稿日期:2020-02-21
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  • 在线发布日期: 2020-06-28
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