The love narration of Strange Stories from a Chinese Studio utilized the third-person way to illustrate, and its basic function was to construct a “narrator’s framework”, which made the whole narration a meaningful one. These female figures without their own subjective awareness were made by males’ desire. The study room, both closed and open, was depicted as a metaphorical space to show the contradiction of the passion of lives and rules of traditional culture. The distinction between “who saw” and “who said” intended to realize the consistency of individual and public description. All of these aspects emphasize the narrative voice of the love narration of Strange Stories from a Chinese Studio, and express the inexplicit initiative of “realism”.