Ma Xiaoquan’s The Legend of Witch Land focuses on strange people and wonders, and presents the readers with a unique frame of sorcerers’ humanities. When displaying these sorcerers’ humanities, Ma Xiaoquan does not blindly show acceptance and friendliness, nor simply demonstrate criticism and negation, but interweaves identification and rejection, alienation and affinity, which is the agitation of rational criticism and emotional identification, and the blending of persistent transcendence and lost melancholy. At the same time, The Legend of Witch Land is also unique in its structural design and orientation of“mythical stories”.