从新乡土诗到《原野》:书生写作的回归与突破
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Local Poetry to The Wilderness: Returning and Breakthrough of Scholar Writing
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    摘要:

    吴昕孺是一位实力派诗人,也是“好诗主义”的提倡者、践行者之一。他的长诗《原野》堪称长篇巨制,既走出了新乡土诗派的阴影,又避免了掉入当前粗陋化写作的陷阱,且能别开生面,以现代性突进作为书写技法和叙述方向。吴昕孺以自己独立、清醒的价值观和文学观,以自己的探索和坚守,形成了一种颇具个性化的“书生写作”现象。

    Abstract:

    Wu Xinru is a capable poet, as well as one of the advocates and practitioners of “the good poem principle”. His long poem The Wilderness can be called a masterpiece, which is not only out of the shadow of the new local poetry school, but also avoids falling into the trap of the current crude writing, and can make a fresh start with modernity advance as the writing technique and narrative direction. Wu Xinru, with his own independent and sober values and literary views, has formed a kind of individualized phenomenon of “scholar writing” with his own exploration and persistence.

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欧阳白.从新乡土诗到《原野》:书生写作的回归与突破[J].《湖南工业大学学报(社会科学版)》,2018,23(4):6-8.

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  • 收稿日期:2018-02-01
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  • 在线发布日期: 2018-07-25
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