神思与灵感:刘勰与柏拉图创作构思论比较
DOI:
作者:
作者单位:

作者简介:

通讯作者:

中图分类号:

基金项目:

湖南省社会科学基金项目“伯明翰学派与马克思主义关系研究”(2010YBA224)


hought and Inspiration: Comparative Study on the Creative Conception of Liu Xie and Plato
Author:
Affiliation:

Fund Project:

  • 摘要
  • |
  • 图/表
  • |
  • 访问统计
  • |
  • 参考文献
  • |
  • 相似文献
  • |
  • 引证文献
  • |
  • 资源附件
  • |
  • 文章评论
    摘要:

    刘勰以“神思”为代表的创作构思论与柏拉图以“灵感”为代表的创作构思论,既有类同性也有差异性。类同性体现在二者都带有神秘的理论色彩,强调作者情感的重要 作用;差异性则体现在二者对创作构思来源、创作构思前作者主体的状态、创作构思过程中作者主体的状态等问题的认识有所不同。这也反映出中西文论在审美上的共通性和差异性。

    Abstract:

    As two major creative conceptions in Chinese and western aesthetics, the theory of Thought and the theory of Inspiration, represented by Liu Xie and Plato respectively, have many similarities and differences. For similarities, these two theories are both involved with mysticism, and both emphasize the significance of the author’s emotions. Whereas the differences are mainly derived from their cognitions on the origins of literary creations and conceptions, the author’s state before and during the writing process, etc. By comparing these two theories, it also illustrates the similarities and differences between western and Chinese aesthetics.

    参考文献
    相似文献
    引证文献
引用本文

王洁群,胡银萍.神思与灵感:刘勰与柏拉图创作构思论比较[J].《湖南工业大学学报(社会科学版)》,2017,22(4):77-80.

复制
分享
文章指标
  • 点击次数:
  • 下载次数:
  • HTML阅读次数:
  • 引用次数:
历史
  • 收稿日期:2016-12-05
  • 最后修改日期:
  • 录用日期:
  • 在线发布日期: 2017-10-18
  • 出版日期:
文章二维码