All along, unique female image is a landscape that cannot be ignored in Tsui Hark's films. The most striking difference between Tsui Hark and other male directors is that females in his films are not shaped according to the traditional female virtue model and their good quality is not temperate, kind, courteous, restrained and magnanimous, the female virtue norm accepted by the traditional society. His film Peking Opera Blues, "as a film for three women", was not well understood by the Hong Kong film circle in the that year full of "masculine aesthetics". Finally these three female images showing in the film completely subverted the stereotype that women could not appear in the movie screen just as a "vase".