抗日文学光环掩盖下的文革
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Cultural Revolution Under the Cover of the Anti-Japanese War Literature
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    摘要:

    何顿的抗日题材长篇小说《来生再见》,其写作的重心不在抗日,而在文革;作家关注的不是历史,而是普通人在极端政治条件下人性的挣扎。生存环境险恶严酷的抗战时期,主人公黄抗日能够应用自己的生存哲学虎口脱身,回到家中安静地生活;但在文革的政治环境下,他却被逼得装疯、吃屎,家破人亡,生活、人格肢解得体无完肤。作品通过这种对比竖起了一座文革无字碑,形成对文革无言的控诉。

    Abstract:

    The writing focus of He Dun’s anti-Japanese theme novel See You Next Life is not the Anti-Japanese War, but the cultural revolution; the writer’s attention is not on the history, but the human struggles of ordinary people under extreme political conditions. The hero Huang Kangri was able to escape from dangers and back to home safely through the application of his philosophy of survival in the sinister and brutal living environment of the anti-Japanese war; but in the political context of the Cultural Revolution, he was forced to pretend to be mad, eat shit, and still ended with his family broken, life and personality mutilated to pieces. Through the contrast, the novel erectes a blank stele for the Cultural Revolution, making a wordless complaint against it.

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孙大志.抗日文学光环掩盖下的文革[J].《湖南工业大学学报(社会科学版)》,2016,21(4):8-11.

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  • 收稿日期:2016-05-01
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  • 在线发布日期: 2016-10-13
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