The wolf narrative in Chinese contemporary ecological novels is full of implied meanings, which researchers generally attributed to the writers’ experience and the influence of traditional culture. If included in the comparative perspective, compared with the former Soviet Union literary classic Guillotine interpretation, it can be found that there exists an echoed relationship between Guillotine and the Chinese contemporary ecological novels in the motherhood beauty and ferocious beauty. The use of comparative vision will exceed the certain mindset of Chinese contemporary ecological literary studies in the past and it can explore new spaces and ideas in the Chinese contemporary ecological literary studies.