In the late 1940s, with the changes of the Chinese Civil War situation and the adjustment of the literary policies by both the Communist Party and Kuomintang, left-wing literature had gradually become a dominant force in the literary circles of Peking and Tianjin. The writers and editors who agreed with the left-wing literary stance became the master of literary journals, many intermediate writers began to turn to the “left” and the others faded out the literary circles. The authors of these publications presented a feature of simplification and the content of these publications also withered from the coexistence of multi-literatures to the only survivor of the left-wing literature.