观音三尊像的信仰转换及其图像演变
DOI:
作者:
作者单位:

作者简介:

通讯作者:

中图分类号:

基金项目:

教育部人文社会科学研究规划基金项目[12YJAZH115]


Faith Conversion of Three Statues of Goddess Guan Yin and Its Image Evolution
Author:
Affiliation:

Fund Project:

  • 摘要
  • |
  • 图/表
  • |
  • 访问统计
  • |
  • 参考文献
  • |
  • 相似文献
  • |
  • 引证文献
  • |
  • 资源附件
  • |
  • 文章评论
    摘要:

    印度早期的观音三尊形式造像主要属于释迦信仰系统,其组合像式为释迦牟尼佛居中,观音与弥勒两旁胁侍;在佛教由印度向中国的传播中,观音三尊式造像向阿弥陀信仰系统转变,其组合像式为阿弥陀佛居中,观音与势至两旁胁侍;观音在两个不同信仰系统的三尊形式造像中转换的同时,其自身的图像特征也发生了一定的变化。

    Abstract:

    At early stage, the three forms of Goddess Guan Yin statues mainly belonged to Shakya belief system. The combined forms of it were positioned as following: Sakyamuni was in the middle, while Guan Yin and Maitreya, the two retinues, were respectively on both sides. In the spreading process of Buddhism from India to China, the three forms of Guan Yin statues began to convert to Amitabha belief system with its combination distributed like this: Amitabha took the central position, while the two retinues, Guan Yin and Mahasthamaprapta, served on either side. When Guan Yin converted in the three forms of statues which pertained two different belief systems, its image feature has also undergone certain changes.

    参考文献
    相似文献
    引证文献
引用本文

史忠平,马莉.观音三尊像的信仰转换及其图像演变[J].《湖南工业大学学报(社会科学版)》,2012,17(5):80-83.

复制
分享
文章指标
  • 点击次数:
  • 下载次数:
  • HTML阅读次数:
  • 引用次数:
历史
  • 收稿日期:2012-08-12
  • 最后修改日期:
  • 录用日期:
  • 在线发布日期: 2012-12-04
  • 出版日期:
文章二维码