During the Gupta period of ancient India, there was a popular Buddhist statuary based on the miracles at Sravasti, which describes the Buddha surrendering six heretic at Sravasti. It includes three main plots: Amra-Pratiharya, Yamaka-Pratiharya and Maha-Pratiharya. The statue usually abandons narrativity and turns to worship, forming a great scene that the Buddha is surrounded by deva, which spread all over the grotto in west India as a stylized statue. As seen in west India, these statues are simple or complex, but they all have distinguished features, such as the “twin lotus”, “thousand Buddha” and “double nagaraja lifting up lotus”. This features influenced Jainism and Hinduism statues as well as the scheme resource of Esoteric Buddhist statues in ancient India. The effect of the series statues of the miracle at Sravasti on Chinese Buddhist art still has not won enough attention.