American Author Walker Percy’s novel, Lost in the Cosmos, calls the reader into a morass of social irony and introspection. While at once consumed by the nature of an existential self-help project, we are also treated to Percy’s concepts of semiotic theory. These forays posit a version of what it means to be voiced in a post-modern world, and encourage a consideration of H.K. Bhabha’s Third Space as it pertains to intersubjectivity and multicultural theories.