环境设计中的解释学美学与接受美学
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Hermeneutical Aesthetics and Reception Aesthetics in Environmental Design
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    摘要:

    解释学美学的“视界融合”原则使过去视界与现在视界相结合,因而当代环境设计可在可行范围内对历史文化建筑进行“活化”与“保育”;据“效果历史”原理,艺术(包括建筑艺术)作品的生命是超越时间限制的,处于不同历史时空的人们解读作品可见仁见智;“合法的偏见”原理为个人意识乃至社会意识有力地影响人们对建筑的解读提供了一个美学视角,人们据此可改变和拓展历史建筑的功能。而在接受美学影响下,环境设计立足于接受者即环境使用者的真实需求,使设计更加人性化。

    Abstract:

    The “Horizon Fusion” principal of hermeneutical aesthetics combines the past view with the present view, thus in contemporary environmental design, “regeneration” and “conservation” of historical and cultural architecture could be conducted. According to the “Effective-History” principal, art works’ life (including architecture art) is beyond the time limit, and people from different times have different interpretations of the same work. The “Legitimate Prejudice” principal offers an aesthetic perspective on how personal consciousness and even the whole society consciousness could affect people’s interpretations with regard to architectures, and based upon which, people could change and expand the function of architectures. Under the influence of reception aesthetics,environmental design is focused on the receivers, which is the real need of environment users in order to make design more humanized.

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寇瑞冰,朱 力.环境设计中的解释学美学与接受美学[J].包装学报,2015,7(4):89-92.

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  • 收稿日期:2015-08-30
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  • 在线发布日期: 2015-11-05
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