论永井一正海报设计风格的演变
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On the Evolution of Poster Design Style of Kazumasa Nagai
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    摘要:

    日本平面设计大师永井一正在海报设计风格上几经演变,从20世纪60—70年代的抽象几何风格开始,逐步演变到20世纪80—90年代的意象手绘风格,最终形成90年代末至今的禅意空寂风格,其演变过程紧跟时代的发展。这种风格演变的背后,饱含着永井一正内心的坚持,即将东方传统元素融入海报创作之中,这种始终如一的坚持源于他对日本传统文化中崇尚自然、热爱生命的禅道精神的崇敬,契合了人与自然和谐一体、共生共息的永恒真理。

    Abstract:

    The poster design style of Kazumasa Nagai, the Japanese master of graphic design has experienced several changes. His abstract geometric style began from the 1960s and 1970s which later gradually evolved into a hand-drawing style of image in the 1980s and 1990s. Eventually Zen nihility style was formed in the late 1990s. The evolution closely followed the development of the time. The persistence in his mind dominated the evolution of the styles while the traditional oriental elements were incorporated into the poster creations. Such consistent pursuit stems from his respect for Zen spirit of the admiration of nature and love of life in traditional Japanese culture. It agrees with the eternal truth that man and nature are in harmony, surviving together in the world.

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黄奕羽,吴 卫.论永井一正海报设计风格的演变[J].包装学报,2015,7(3):68-72.

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  • 收稿日期:2014-12-29
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  • 在线发布日期: 2015-10-28
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