“轮人为轮”篇的设计美学思想及设计理念
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“On Wheel” Aesthetic Ideology and Design Philosophy
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    摘要:

    《考工记》中“轮人为轮”篇对车轮制作的每一工序、工艺及规范都做出了明确规定和说明,体现了我国古代的设计美学思想及设计理念。其设计美学涉及器物功能、形式与造型、材料、结构等方面,同时从人、物、自然的关系出发,提出了“重己役物”“天人合一”“巧法造化”“去其常然”等设计理念。

    Abstract:

    In chapter “On Wheel” of Kao Gong Ji, clear specification and explanation are made for every process, craft and standard in the manufacture of wheels, which reflects both aesthetic ideology and design philosophy of ancient Chinese people. Its design aesthetics involves function of utensils, shape and appearance, material, structure and so on. In addition, based on interrelationship among people, utensil and nature, several design philosophies are proposed such as “Emphasis on people, making use of tools”, “Man is an integral part of nature”, “Manufacture in a smart way”, “Removing the mediocre part”.

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王姝喆.“轮人为轮”篇的设计美学思想及设计理念[J].包装学报,2013,5(3):92-98.

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  • 收稿日期:2013-03-23
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  • 在线发布日期: 2015-10-28
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