清末民初火花设计中吉祥文化的表现形式
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Forms of Auspicious Culture in Design of Matchbox Pictures during Late Qing Dynasty and Early of the Republic of China
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    摘要:

    清末民初的火花设计,体现了中国传统文化中的吉祥文化精髓,其通过吉祥文字、吉祥图案和吉祥色彩这3 种吉祥文化表现形式来传达大众的审美和文化需求。在吉祥文字方面,主要包括对“福”“寿”“富贵”“一本万利”等字词以及“一”“3”“5”“9”等数字的运用;在吉祥图案方面,主要通过对传统吉祥图案“形”的传承和“意”的延伸来传达意蕴;在吉祥色彩方面,主要采用表现喜庆的红色、象征富贵的黄色,并配以代表生机的绿色,表现中华民族丰富的情感及祈福纳祥的意愿。这些设计取得了先声夺人的传达效果。深入剖析和感受火花设计的吉祥文化表现形式,有助于设计的民族化、个性化。

    Abstract:

    The design of matchbox pictures of the late Qing dynasty reflected culture essence of China traditional auspicious culture with auspicious patterns, characters and colors. These three kinds of auspicious culture forms conveyed people’s aesthetic and cultural needs. In the respect of auspiciousness, the words of “blessing”, “longevity”, “wealth”, “make big profits with small capital” and the use of numbers as one, three, five and nine are considered auspicious. As for the auspicious patterns, the “form” inheritance of traditional lucky design and the extension of “meaning” to convey meaning were mainly applied. Regarding the lucky colour, red standing for jubilance, yellow indicating rich and honour, and green representing vitality were mainly adopted, which expressed the rich emotions and the will of blessing and praying of Chinese nation. These designs have the effects of displaying the strengths. Further analysis and experience of the design of matchbox pictures with auspicious culture forms contribute to designing the nationalized and individualized works.

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陈丽莉.清末民初火花设计中吉祥文化的表现形式[J].包装学报,2012,4(1):84-87.

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  • 收稿日期:2011-09-21
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  • 在线发布日期: 2015-10-28
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