徽州抱鼓石中儒家礼制文化的表现形式
DOI:
作者:
作者单位:

作者简介:

通讯作者:

中图分类号:

基金项目:

安徽省高校人文社科重点研究基金资助项目(2007sk164zd)


Manifestations of Confucian Ritual Culture in Huizhou Drum-Shaped Bearing Stone
Author:
Affiliation:

Fund Project:

  • 摘要
  • |
  • 图/表
  • |
  • 访问统计
  • |
  • 参考文献
  • |
  • 相似文献
  • |
  • 引证文献
  • |
  • 资源附件
  • |
  • 文章评论
    摘要:

    徽州抱鼓石作为摆放在徽州地区传统宅门前的建筑装饰构件,不仅是主人社会地位的外在标志,而且是儒家礼制文化的直观反映。徽州抱鼓石在造型上体现了天圆地方的礼制规矩,在排列顺序上表达了成双成对的文化寓意,在装饰程度上表现出简约淡雅的装饰特征,这些都是儒家礼制文化在徽州抱鼓石中的表现形式。

    Abstract:

    As a decorative building element placed in the doorway of traditional mansion in Huizhou, the drum-shaped bearing stone is not only the social status indicator of the house owner, but also the direct cultural reflection of Confucian ritual system. The ritual rule of orbicular sky and rectangular earth is expressed in its shape, while the cultural meaning of being in couples is reflected in the arranging order, the simple but elegant decorative feature is indicated in decorative level, all of which are cultural manifestations of Confucian ritual system in Huizhou drum-shaped bearing stone.

    参考文献
    相似文献
    引证文献
引用本文

周 锐,苗 蕾,黄 凯.徽州抱鼓石中儒家礼制文化的表现形式[J].包装学报,2013,5(3):88-91.

复制
分享
文章指标
  • 点击次数:
  • 下载次数:
  • HTML阅读次数:
  • 引用次数:
历史
  • 收稿日期:2012-12-07
  • 最后修改日期:
  • 录用日期:
  • 在线发布日期: 2015-10-28
  • 出版日期:
文章二维码