“Buddhist paintings of Nectar Ritual” refers to “landscape painting” in Chinese and was once very popular in Korean history. Its frame is divided into three structures: upper, middle and bottom. Combining the Buddhist texts and theories, this paper studies the image content and styles of the existing Buddhist paintings of Nectar Ritual, aiming to explore the typification of screen using. The appearance of new images and disappearance of old images are influenced by many factors, such as the times, painter’s style and regional style. This diversification of image development formed a new painting style in the screen using.