滩头年画与梁平年画比较
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Comparison between Tantou New Year Pictures and Liangping New Year Pictures
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    摘要:

    湖南滩头年画和重庆梁平年画在题材内容、构图色彩、线条版式和材料工艺等方面相似的地方非常多,区别虽然小但是不同之处也不少。两地都以门神题材为主,主要的门神品种风格非常相似,但是其他种类的门神品种风格迥异;滩头年画构图上比梁平年画对称意识要强,环境细节更加丰富,色彩奔放鲜艳,而梁平年画古朴粗犷、凝重深沉。两地的线条都很柔韧圆润,但是滩头的直线和几何图案运用比梁平多,文字使用也稍微多些。两地年画所用的木板、刻刀、颜料、纸张等材料大部分为当地出产,制作的工艺也基本一致,只在造纸的原料和蒸纸的时间长短等方面略有不同。

    Abstract:

    Although Tantou New Year Pictures and Liangping New Year Pictures share a lot of similarities in the subject matter, composition color, line format and material technology, etc, they also differ in many aspects. Both of them take the door-god as the main subject matter, and most of their door-god pictures have the similar style, while others are different. Tantou new year pictures are more symmetrical in composition, brighter in color and richer in details, while Liangping New Year Pictures are more primitive straightforward in design, more dignified in style and thicker in color. Both of them are flexible and smooth in lines, while Tantou pictures use more straight lines, geometrical patterns and characters. Most of the materials used in the two types of pictures, such as the board, nicking tool, pigment and paper, are produced locally, and the manufacturing crafts are basically the same, with only a slight difference in the raw materials of paper-making and length of time of paper-steaming.

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何滢.滩头年画与梁平年画比较[J].《湖南工业大学学报(社会科学版)》,2011,16(2):134-137.

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  • 收稿日期:2010-12-05
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  • 在线发布日期: 2015-11-04
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